This alternative photographic process which dates back to 1842, utilizes two iron-based chemicals; ferric ammonium citrate and potassium ferricyanide. During this class, we will create three unique photograms, images made without a camera. We will discuss the emulsion mixing and coating of paper in addition to the history of the process. There will be hands-on practice with contact printing through UV exposure, water development, and rapid oxidization to reveal the deep blue tones this process is known for

Alexandra Rose is an intermedia artist whose creative process is a therapeutic ritual exploring themes of loss, growth, change, and the perpetual evolution of the authentic self. Their practice is rooted in the visual connotations of materials, personal intuition, and the physical act of labor. While Rose's work spans various disciplines, they have found themself drawn to metal in sculpture and photography, captivated by the transformative qualities inherent in these processes. The interplay of positive and negative within mold-making and photo development holds a particular fascination, embodying a balance of control and surrender that resonates deeply with the artist. Rose is interested in metal's capacity for metamorphosis—from rigid to soft, invisible to visible, fluid to hardened—and relates to this material’s duality as a genderfluid maker. As of 2022, Rose is an Artist-in-Residence at Sloss Furnaces in Birmingham, AL.